Late years in Edo period Jiuta

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1 late years in edo period

1.1 maturity of tegotomono
1.2 beginning of polyphonic composition , development of ensemble
1.3 major development of kyoumono
1.4 improvement of shamisen plectrum
1.5 emergence of independent soukyoku
1.6 integrated parts





late years in edo period
maturity of tegotomono

as written above, middle end of edo period, pieces have high musical achievement composed. long interlude, instrumental part between blocks of vocal part called tegoto developed , lot of pieces in field, called tegotomono, have been handed down. minesaki-koutou, active in end of 18th century in osaka, achieved success in tegotomono field. defined tegoto long , technical instrumental part within piece , composed great number of pieces focused on shamisen s technical playing. follower, mitsuhashi-koutou, increased tegoto part within piece tegoto became longer , full of variety ever; jiuta came have emphasized instrumental part in course of development.


beginning of polyphonic composition , development of ensemble

around bunka era, ichiura-kengyo osaka elaborated ensemble playing of koto. compositions had been unison in koto ensemble, started polyphonic composition. polyphonic part (or rather, should called counterpoint, maybe) called kaete ( 替手 change hand). yaezaki-kengyo sophisticated style. ensemble playing of shamisen popular in era, , kaete shamisen composed. similar style uchiawase ; composition of piece based on original piece play @ same time.


major development of kyoumono

later, major stream of tegotomono composition moved kyoto. @ first, matsuura-kengyo composed number of sophisticated tegotomono in kyoto-style, since then, tegotomono composed in kyoto called kyoumono ( 京もの thing of kyoto) or kyouryu tegotomono ( 京流手事もの tegotomono in kyoto-style). moreover, kikuoka-kengyo (1792 - 1847） composed tegotomono , contributed development in kyoto. yaezaki-kengyo (1776–1848), active in same era, composed koto part of pieces , arranged kikuoka s composition. 2 musician contributed development. not created best days of jiuta, , @ same time, integrated jiuta , soukyoku together. here jiuta reached perfection of craft shamisen-used music.


improvement of shamisen plectrum

around era, tsuyama-kengyo osaka invented improved plectrum used in jiuta playing.


emergence of independent soukyoku

mitsusaki-kengyo, junior fellow of kikuoka-kengyo, active then. pupil of yaezaki-kengyo. focused on koto because had possibility develop more jiuta, had developed enough , seemed there had been little room develop further. composed pieces featuring koto solo, , became trigger develop soukyoku independently. yoshizawa-kengyo took on , promoted movement, began develop gradually.


integrated parts

mitsusaki-kengyo composed traditional jiuta, , in original works, composed both parts of shamisen , koto him, 1 composer, first time in history. instrumental parts integrated , refined. junior followers took on method. 1 of follower, yoshizawa-kengyo went further; composed 3 instrumental parts of shamisen, koto , kokyu himself. in last years of edo period, jiuta became popular across japan , each local style introduced to.







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